Italian
1708-1787
Pompeo Batoni Location
Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe. Related Paintings of Pompeo Batoni :. | Alexander Darius and Family | Emperor Foseph II and Grand Duke Pietro Leopoldo of Tusany | Deng Sitanweili Baron | Kaiser Joseph | Portrait of Sir Wyndham Knatchbull-Wyndham, 6th Bt | Related Artists:
Paul SerusieFrench Painter, 1863-1927
rameauPeriod: Baroque (1600-1749)
Country: France
Born: September 25, 1683 in Dijon, France
Died: September 12, 1764 in Paris, France
Genres: Ballet, Chamber Music, Keyboard Music, Miscellaneous Music, Opera, Orchestral Music
Albert Anker1831-1910
Swiss Albert Anker Galleries
During his studies, Anker produced a series of works with historical and biblical themes, including paintings of Luther and Calvin. Soon after returning to Ins, though, he turned to what would become his signature theme: the everyday life of people in rural communities. His paintings depict his fellow citizens in an unpretentious and plain manner, without idealising country life, but also without the critical examination of social conditions that can be found in the works of contemporaries such as Daumier, Courbet or Millet. Although Anker did paint occasional scenes with a social significance, such as visits by usurers or charlatans to the village, his affirmative and idealistic Christian world-view did not include an inclination to issue any sort of overt challenge.
Also prominent in Anker's work are the more than 30 still lifes he created. They depict both rural and urban table settings in the tradition of Chardin, their realist solidity reflecting Anker's vision of a harmonic and stable world order. In addition, Anker created hundreds of commissioned watercolours and drawings, mostly portraits and illustrations, including for an edition of Jeremias Gotthelf's collected works. To provide for a steady income, Anker also decorated more than 500 faience plates for the Alsatian producer Theodore Deck.
Anker was quick to reach his artistic objectives and never strayed from his chosen path. His works, though, exude a sense of conciliation and understanding as well as a calm trust in Swiss democracy; they are executed with great skill, providing brilliance to everyday scenes through subtle choices in colouring and lighting. Their parochial motives belie the open-mindedness towards contemporary European art and events that Anker's correspondence reflects.